A Cuban Adventure
Series 4 of Auf Wiedersehen, Pet was set on screen in Cuba.
Trouble with the authorities meant that the show was not
allowed to be filmed in Cuba, and had to be changed to
locations in the Dominican Republic. This is the official BBC
account of how Series 4 was brought to our screens in early
2004. The following is copyright of the BBC, and you can see
the original web page, here
Copyright: The following images, articles and text are
copyright BBC & awpet.com
The Adventure begins in summer 2001.
"We were all in Arizona whilst filming the last series," said writer Dick
Clement, "and we had an evening in a bar with Alan Yentob (BBC Director of
Drama, Entertainment and Children's) who had flown out to see us
filming."Euphoria was high as everything seemed to be going well and the
vibe for the series was really good so when Yentob jokingly asked 'where's
the next one then?', Ian glibly replied 'Cuba' - but with no thought in his
head of how we'd make it work!" Executive producer, Franc Roddam,
agrees: "Once Arizona was complete we did start kicking ideas around. We
considered Australia but felt that it was too like America and we thought
about Spain as it's a big working class destination." But I think Cuba really
intrigues people as the last socialist society; people admire Fidel and Che
Guevara.”
January 2002 – Off to Cuba
Dick Clement, Ian La Frenais and Jimmy Nail fly out to Cuba with Franc
Roddam to see what might be possible for a new series. Dick admits: "It
was really interesting but we felt such frauds looking around as we still had
absolutely no idea how we would make it work or what the story might be.
It was like a fishing trip for the brain."We travelled all over Havana and out
into the country just getting a feel for the place. We went to the ballet, salsa
clubs, bars, nightclubs and paladares (restaurants in private houses),
soaking up the atmosphere of the place. And eventually we struck gold.
"On the last day of our trip we went to the British Embassy where we
discovered two key things: the existence of the O.E.D. (Overseas Estates
Development) and that Havana is the most intelligence-intensive place in
the world – everyone from Taiwan to Kazakhstan has an embassy there.
"Ian continues: "That's why it's always British workers who are posted to
work on sensitive overseas sites like embassies and ambassadors'
residences. It reminded us of a visit to Prague in 1990. We went to the
embassy which was shrouded in scaffolding with a whole bunch of
Geordies on the site! We could have made a whole movie about that alone.
"On their return to the UK Franc and Jimmy went to Croydon to visit the
O.E.D. offices to cement their ideas. "We went to learn about the operation
and the staff were very helpful, and they were thrilled to meet Jimmy! All in
all it authenticated our idea for the series and how it might work. "It will be
interesting to see if they are inundated with requests to join up once we
start transmission!" laughs Franc.
Spring 2002 – Creative juices flowing
Clement and La Frenais now start writing scripts in earnest. Dick recalls:
"Once we'd got a handle on the O.E.D., Ian and I sat down and plotted an
outline for the series. Then we wrote the first draft."We really wanted to
use the idea of spying and the intelligence services but not in a James Bond
way because we obviously wanted to preserve the credibility of the series.
But being part of the O.E.D. could be perfect cover for low level intelligence,
so Nev is recruited to MI6."We also had a key idea for Oz in mind. It was
Jimmy's suggestion that we went to the theatre in Havana and saw the
ballet. So Oz develops a passion for dancing. That seemed too good an idea
to turn down!" Ian continues: "There's much more romance and emotion in
these episodes – I think there will be a few handkerchiefs out. "We've
developed the characters again since the Arizona series. You can't just have
them all sitting around discussing whether Newcastle won, so Oz falls in
love, Dennis finds romance and Nev becomes a spy. But we've not lost the
characters that the audience want to see. "And we continued to do other
research, reading whatever we could get our hands on. In particular
Stephen Smith's The Land of Miracles was very useful. That's where we
found out about guinea pig roulette."
April 2002
Meanwhile, in the UK, series three starts transmission on BBC ONE
reaching 12 million viewers. Although the team were optimistic about their
return to screen, Dick and Ian admit that they were overwhelmed by the
public response. Dick says: "The characters really touched a nerve. Viewers
feel that they're real. They represent ordinary blokes just getting on with
making a living. But we're always a bit baffled by the X factor of success and
I'm reluctant to try and define it in case it goes away!" Franc Roddam
continues: "We were over the moon. I think the series' success is due to a
combination of all things - it was a good idea originally focusing on the lives
of working class people in a 'fish out of water' scenario written with
humour and pathos."Dick and Ian are acute observers of human nature.
Auf Wiedersehen caught the mood and humour of the people in this
country topped off with fabulous actors who created a wonderful
ensemble. "As the series was deemed a runaway success, it was
immediately commissioned again. Series four gets underway.
Winter 2002 – The team assembles
The writing was completed with the final two episodes delivered to the
production team and the cast just after Christmas. "But most of the
logistics were laid down much earlier so that the production team could
start planning. Originally we were only going to do five episodes but
eventually we pushed it to six as it felt more complete," said Dick. Producer
Chrissy Skinns was brought on board in December. "I did meet Dick and Ian
years ago when I worked at Select TV as a script editor but I'd never worked
with them. And I was keen to do the project because it's one of those
classic, successful series that it's a privilege to be involved with. "My first
priority was to find directors who could work really well visually to
capitalise on the vibrant background of Havana – that was such a gift. I
really wanted to bring out the lushness of the setting, so the design team
was crucial as well. Not to mention a foreign production manager. "They
were all on board and the project was well underway by the beginning of
the 2003. "We recce-ed Cuba in January and at that stage we were hoping
to shoot there. So we were getting a sense of the place and of how the
embassy works. Then we came back to the UK to start casting for the other
key characters. "But some things never go to plan and, like James Bond's
The World Is Not Enough before it, the Cuban authorities refused to let
filming take place in their country so a new location was sought.
"We thought about Mexico, Puerto Rico and the Dominican Republic and
there was lots of frantic flying around to try and find somewhere suitable,"
admits Chrissy. "I remember one day in March when we still didn't know if
we were going to Cuba, Mexico, Puerto Rico or the Dominican Republic and
someone in the office piped up 'what about Buenos Aires?'. "But the World
Service was quick to point out that Buenos Aires is much more Italian than
Spanish; it's in the southern hemisphere, not in the tropics; and the racial
mix is different….. so at the end of the day I was still none the wiser about
where to go shooting.
"In the end we settled on the Dominican Republic because the people are a
mix of Hispanic and African origins which is very Cuban and the buildings
have that crumbling, Spanish, colonial feel."Ian admits "We were always
prepared that it wouldn't be filmed in Cuba. When we knew that the team
had scouted and were happy with the Dominican Republic, we were
reassured. You will never believe you're not in Havana."Franc Roddam
shrugs off the problem: "We were so committed to the project that you
move forward no matter what. Filming has always been flexible. When they
made Carry On Up The Khyber it was probably in Croydon, so not being
able to film in Cuba wasn't the end of the world.
"Spring 2003 – Location, location, location
Once the final decision was made, the production team swung into action
and at the end of March an advance party went out to the Dominican
Republic to start preparations for filming. Chrissy said: "The art department
and a mini-production team went out early to set up. And we got a very
good local fixer involved who'd worked for the BBC before on Bitter
Harvest. "The key thing was to find good, local people who could help us,
especially with the language as rather a lot of us didn't speak any Spanish.
"The art department had their work cut out. The main architecture in Santo
Domingo was fine but the devil is in the detail, so they had to add lots of
strong images such as painting a mural of Che on a wall or parking an
American car in frame – voila! You're in Cuba.
"They also did an amazing job building a set in the jungle for the
ambassador's residence as there wasn't a big 18th century building
available. We also built the boys 'villa' - which is obviously Cuban for 'hut'."
Then the cast flew out towards the end of April and we did a six week
shoot. There were the inevitable glitches that come with filming abroad,
especially in a third world country. There are language barriers and
although we took out our key team, most of the rest of the team were
recruited locally. "But the biggest problem was the heat. I know filming in
the Caribbean sounds marvellous but it was over 30 degrees every single
day and it was humid. "Quite frankly at 8 o'clock in the morning you're
sticky and you're going to be like that all day. The sun is more dangerous
too so inevitably some people got sunburned or got sunstroke; others were
bitten by strange insects – there were lots of bugs!
"There were a few casualties but nothing too serious – we all came back in
one piece – ready for the 11-week English shoot, of course."Most of the
time we were shooting in the capital's old town, which is very like Havana
but the residence was a little way out of the centre. "And for episode three
we were way up in the hills which was quite like camping as we didn't have
the normal winnebagos or a catering truck, we were literally in tents in the
middle of the jungle. "But the atmosphere was fabulous. On the last day
the local crew had a kind of spontaneous street party - and they are
fantastic dancers!
"Then we came back to the UK and finished filming the English locations
and the interiors at Pinewood. Ironically we came back to one of the
hottest summers ever – but at least it was a little less steamy!" Dick and Ian
made a quick trip out to the Dominican Republic to see how filming was
getting on and they were delighted by what they found. Dick admits "We
were very impressed. We could see that it wasn't Havana but the art
department had done a fantastic job which created the illusion very well. It
looks much richer on screen than all the other series.Franc agrees: "The
Dominican Republic is the most beautiful place. It's a great undiscovered
spot next door to Cuba. When you're all away together you get completely
absorbed by the culture of the place and that sustained everyone through
the English studio shoot. "When I arrived I went to the hotel to visit the
boys and it did make me laugh – they were all in a suite watching the
football and eating snacks, just like being in a hut together!
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Auf Wiedersehen, Pet